An effect that delays the signal and creates and echoing sound.
•Press the DELAY button while holding down the ON/OFF button to turn the effect on/off (the LED below the button lights up when the effect is on).
•Press the DELAY button to access the related parameters (the button blinks). Use the EDIT CONTROL 1–5 knobs and the FUNCTION 1, 2 buttons to set the value.
•Long-press either the MOD, DELAY or REVERB button to access the EFFECT ROUTING page, where you can set the effect to which each timbre and the mic audio is sent. → EFFECT ROUTING
•Use the Effect Type parameter (knob 1) to select the effect type. The parameters shown below (knobs 2–5) depend on the effect type.
1. Effect Type (Type) [Stereo, Ping Pong, Tape Echo, Pitch Shift, Reverse, LoRes]
Selects the effect type.
2...5. Effect Parameters
This configures the parameters of each effect.
For more on the parameters, refer to the explanations for each effect type.
1...5. Effect Parameters
Selects the effect type.
Independently delays the left and right channels
Ping Pong
A delay that alternates between left and right channels.
Tape Echo
A delay that distorts and modulates the pitch of the signal like a tape machine.
Pitch Shift
A delay that shifts the signal up or down.
Reverse
A delay that plays backwards.
LoRes
A delay that lowers the sample rate of the signal.
1. Effect Type (Type) Stereo/Ping Pong/Tape Echo/Pitch Shift/Reverse/LoRes
2. Effect Type-specific parameter
Stereo: N/A (---)
Ping Pong: Stereo Width (Width) [0...127] (CC#115)
Adjusts the mix of the ping pong delay outputs to create a left-to-right bouncing effect. Turning the knob right increases the width of the bouncing effect.
Tape Echo: Instability (Insta) [0...127] (CC#115)
Adjusts how intense the tape simulation is. Turning the knob to the right will make the delay less stable.
Pitch Shift: Shift Mix (Shift) [-63...0...63] (CC#115)
Shift Mix: Adjusts how much pitch shifted signal is mixed into the delay feedback and output. Turning the knob to the right of right and left of center will increase the amount of plus and minus one octave pitch shifted signal relative to the unshifted signal, respectively.
Reverse: N/A (---)
LoRes: Reduction (Reduct) [0...127] (CC#115)
Adjusts the amount of sample rate reduction within the delay. Turning the knob to the right will reduce the sample rate.
3. Time [“Bpm Sync” Off: 0...127 / “Bpm Sync” On: 1/64, 1/32, 1/24, 1/16, 1/12, 3/32, 1/8, 1/6, 3/16, 1/4, 1/3, 3/8, 1/2, 3/4, 1/1] (CC#13)
Sets the amount of time the input signal will be delayed before being output. Turning the knob to the right will increase the delay time.
4. Depth [0...127] (CC#113)
Sets the input level of the delay, affecting how intense the effect is. Turning the knob to the right increases the input level.
5. Low Cut [0...127] (CC#114)
Adjusts the cutoff frequency of the high-pass filter. Sounds and harmonic components below the cutoff frequency will be attenuated. Turning the knob to the right will increase the cutoff frequency.
DELAY EXTRA
2. BPM Sync (BpmSync) [Off / On]
Toggles the delay time parameter between absolute time (milliseconds) and tempo synced subdivisions.
3. LR Offset (Offset) [-63...0...63]
Applies a delay offset between the left and right delay channels, creating a wider stereo image. Turning the knob right of center increases the right delay time relative to the left, and turning the knob left of center increases the left delay time relative to the right.
4. Feedback [0...127]
Sets the amount of delay output that is added back into the input. Turning the knob to the right will increase the number of repeats.
5. Dry/Wet [0...100 %]
Adjusts the mix of the dry and wet signals relative to each other. Turning the knob to the right will decrease the input signal mix and increase the delay output mix.