ARP A, B

ARP A

 

 

1. Tempo   [30...300]

This sets the tempo at which the arpeggiator plays.

This setting also affects the loop recorder playback speed, the LFO and the various effect parameters.

The knob changes the value in steps of two if the value is set to 270 or greater. Use the INC/DEC but­tons to change the value in steps of one.

Note: If the global MIDI Clock Source is set to “External USB/MIDI”, or if it is set to “Auto” when there is an external input, this tempo setting is ignored and the instrument synchronizes to the external MIDI clock.

2. Swing   [-100%...0...+100%]      NRPN 0, 5

Specifies the percentage (%) by which even-numbered notes of the arpeggio are shifted in timing rel­ative to the first note.

 

 

3. Resolution   [1/32, 1/24, 1/16, 1/12, 1/8, 1/6, 1/4]      (NRPN 0, 6)

Sets the resolution (intervals between the notes) relative to the specified tempo.

1/32: The arpeggio plays as thirty-second notes of the specified tempo.

1/24: The arpeggio plays as sixteenth note triplets of the specified tempo.

1/16: The arpeggio plays as sixteenth notes of the specified tempo.

1/12: The arpeggio plays as eighth note triplets of the specified tempo.

1/8: The arpeggio plays as eighth notes of the specified tempo.

1/6: The arpeggio plays as quarter note triplets of the specified tempo.

1/4: The arpeggio plays as quarter notes of the specified tempo.

4. Target Timbre (Target)               [Both Timbre, Timbre 1, Timbre 2]      (NRPN 0, 11)

Selects the timbres that are played by the arpeggiator.

Both Timbre: Both timbres are played by the arpeggiator.

Timbre 1: Only timbre 1 is played by the arpeggiator.

Timbre 2: Only timbre 2 is played by the arpeggiator.

Note: This setting is available when Timbre Mode is “Dual”.

5. Latch   [Off, On]      (NRPN 0, 4)

Sets how the arpeggiator works when you take your hand off of the keyboard.

Off: The arpeggiator stops playing when you take your hand off the keyboard.

On: The arpeggiator keeps playing even if you take your hand off the keyboard.

Tip: You can also toggle the latch by long-pressing the ARPEGGIATOR ON button.

ARP B

 

 

1. Type      [Up, ..., Trigger] NRPN 0, 7

Selects the arpeggio type.

Up: Notes are played consecutively from low pitches to high.

 

 

Down: Notes are played consecutively from high pitches to low.

 

 

UpDown: Alternates between playing the notes up and then down. (The highest and lowest notes play once.)

 

 

DownUp: Alternates between playing the notes down and then up. (The highest and lowest notes play once.)

 

 

Converge: The arpeggiator plays notes by “converging” towards the middle note of the chord, with the lowest note first followed by the highest note, then the second-lowest note followed by the sec­ond-highest note and so forth.

 

 

Diverge: The arpeggiator plays notes by “diverging” away from the middle notes of the chord towards the outer (lowest and highest) notes.

 

 

Manual: The arpeggio plays in the order you play the keys.

 

 

Random 1: The notes you play are triggered randomly.

 

 

Random 2: The notes you play are triggered randomly. Use this setting when you don’t want the same notes to be triggered consecutively.

 

 

Trigger: The notes you hold down on the keyboard are played using chords.

 

 

2. Octave Range (Octave)         [1 Oct...4 Oct]      (NRPN 0, 8)

Specifies the range of octaves over which the arpeggio is played.

3. Gate Time         [0%...100%]      (NRPN 0, 10)

Specifies the duration (gate time) of the arpeggiated notes, as a percentage (%).

With a setting of 0, each note will be extremely short. With set to 100, each note will continue playing until the next step.

4. Last Step         [1...8]      (NRPN 0, 9)

Sets the number of valid steps (maximum number of steps) for the step arpeggiator.

5. Key Sync         [Off, On]      (NRPN 0, 12)

Sets whether the arpeggiator and keyboard are synchronized.

On: The arpeggiator pattern starts playing from the beginning, starting with the first note you play (note-on) after you’ve taken your hands completely off the keyboard. This works best when you are playing in real time, to match the timing of when the measure starts.

Off: The arpeggiator always follows the clock.